• With discovering a newfound joy to observational drawing thanks to the Visual Language sessions, and the ability to unpick visual components each week, I signed up to the life drawing classes here at LCA to employ all of the new things I have been learning!
• One of my transformative moments during this first term has been the session on line quality - and how different tools can produce different variations when speed, pressure and thoughts / emotions come into play to effect the outcome. Using graphite stick and an ink brush pen were my favourite discoveries because of the aesthetic they bring; textured contours and outlines to an illustration that can vary depending on implication and motion. This really allows for light and shadow to be implied in the more inkier or drier areas. I liked using the contrast of the softer graphite with the harsher, more deliberate ink brush pen.
• I struggle with observational drawing because of my severe visual impairment, with only 8% central vision in my left eye - like looking down a tunnel - and only light perception in my right. I was made to feel very welcome at the life drawing sessions, people were very supportive of me and respectful of my Guide Dog, allowing me to get as close as possible to the models so I can see them in my field of useful vision. Photographs aren't allowed, which is completely understandable, so I couldn't use my trusty iPad! Because of how welcoming the sessions were I really began to settle, letting go of my setbacks and hardships and relax when drawing - just like everyone else - producing some work I am very proud of.
• Self-realisation of my own boundaries and limitations, and giving them the finger - giving things a bloody good go - shows my determination to become a better artist, designer, illustrator, practitioner and a better person. I can only compete with myself, attempting to become a better me, and not letting my disability get the better of me, as it has all of my life, has been key to my current happiness and feeling of self-worth.
• Observational drawing is something I really want to continue into the New Year and new term as it is so beneficial to draw, think and look on location - figuring out how an illustration can tell a narrative and what parts to omit or include, telling an interesting story of your individual journey. I have enjoyed the Visual Narratives module because of the observational drawing opportunities; having the ability to sit and draw buttons in Duttons for Buttons, and the people of Ilkley, to convey my trip there instead of just picture-perfect photographs.
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